Atlanta Arts category interest

Tyler Mitchell, the photographer who shot the cover of arguably the world’s most prominent fashion magazine at just 23 years old, holds his solo exhibition “Idyllic Space” from June 21 at the High Museum of Art in Atlanta, Georgia. Mitchell, who rose to fame after shooting Beyoncé for the cover of Vogue in 2018, became the first Black artist to shoot the magazine’s cover in its 126-year history. The groundbreaking photographer, filmmaker, and overall artistic genius continues to break boundaries, creating images and film works that are both beautiful and powerful, focusing on themes such as Black self-determination and empowerment.

This most recent exhibition is a tour-de-force corpus of work shot between 2017-2024. It will include his fashion and fine art photographs as well as his photo sculptures. For the Atlanta-born artist, the show is somewhat of a homecoming. The images on view largely delve into the concept of relationships while incorporating themes such as companionship, family lineage, domestic spaces, and the natural world. Making this an even more personal project, the show will also feature a photo-sculptural work that will feature more than 20 Atlanta-based families who are members of Jack and Jill of America, an organization he was involved in as a young child.

WHAT: Tyler Mitchell: Idyllic Space

WHEN: June 21—December 1, 2024

WHERE: High Museum of Art, Atlanta, Georgia

With over 30 works on view, the artist presents what some refer to as an ideal of Black Utopia, a playful vision of black families and friends interacting with one another. Love, intimacy, and shared experiences are his art’s crux. Giving the exhibition its title, the show will also feature a video installation appropriately named “Idyllic Space” that will feature images of young Black men doing routine things like swimming, eating ice cream, playing games such as tagging with one another, and more simple pleasures.

It was important for Mitchell to capture and present an idyllic portrayal of Black culture as he knows it in the setting that is so ingrained in him and vital to shaping him as an artist. He sees his ability as a photographer to capture these beautiful moments, which he believes showcase the joy and bliss in the simplicity of life for Black people as they experience life with friends and family on a daily basis: “I aim to visualize what a Black utopia looks like or could look like. People say utopia is never achievable, but I love photography’s possibility of allowing me to dream and make that dream become very real.”

For a world-renowned, young Black photographer shifting the landscape of photography, “Idyllic Space” is the homecoming Tyler Mitchell deserves. While the artist is known for his fashion work, this exhibition delves a little deeper into more intimate work that explores his Atlanta roots and Black culture. Combining conceptual and fashion work, the work is strong, intimate, and empowering. The photographs and accompanying video capture the artist’s own experience as a young Black male growing up in the American South. While presenting idyllic snapshots of life, there’s also an underlying theme of inequality that is unfortunately still a part of everyday life for some in the South, something Mitchell recognizes and alludes to in some of the pieces on view.

Family is at the core of the exhibition. The front and center of the gallery space is a structure filled with formal portraits of local families that Mitchell grew up with in Marietta, a nearby suburb of Atlanta. Many of these families are members of Jack and Jill of America, an organization close to the artist’s heart. The organization supports children from the ages of 2-19 through leadership development, volunteer services, philanthropic initiatives, and civic duty. Among the other Jack and Jill family photos featured here, the artist even includes a family portrait of his own, creating a truly full-circle, homecoming moment for an artist paving his own path in the world.

Mitchell reflected on the exhibition and the importance of it being held in his hometown. “It’s a pure joy to represent my work in collaboration with the brilliant curators Maria L. Kelly and Michael Rooks and the High Museum of Art–the very museum I grew up going to as a child–whose exhibitions left a formative impact before I recognized the possibility of becoming an artist. I am proud to present this work for the people and the city that shaped me.”